Keywords: Frost, nature, romanticism, transcendentalism, Wordsworth. Finally, the use of nature in poetry that reflects meditation under the influence of the bible should be explored especially that composed by early colonial poets. Moreover, scholars and literary critics should also research the concept of nature as used in the United States of America before and after Robert frost. Also, the concept of nature in British literature should be studied, not only as it was employed by English romantic poets, but also as it was used by authors before and after the English Romantic Movement in order to see if nature was used in the same way. The research concludes that the term “nature” has not always had the same meaning or carries the same level of significance. The researchers consulted a significant number of published references on the topic as well as specialized literary dictionaries, encyclopaedias, and the internet. Since this research is theoretical in nature, it depends primarily on reviewing already published works on the topic. Moreover, it seeks to identify the major similarities and differences in the use of nature in the poetry of William Wordsworth and Robert Frost. Al-Sobh Department of English Language and Literature, Ajloun National University, Jordan Abstract This research aims to investigate the different meanings for the term “nature”. Abu-Melhim Department of English Language and Literature, Al-Balqa’ Applied University, Jordan Mahmoud A. Almiqdady Department of English Language and Literature, Ajloun National University Jordan Abdel-Rahman H. The Concept of Nature in the Poetry of William Wordsworth and Robert Frost: A Comparative Study Muthanna Z. The final section examines transnational romanticism in its political dimension and demonstrates the close connections between romantic thought and literature and the revolutionary and reform movements of the late-eighteenth and nineteenth-century Atlantic world. Thirdly, the essay surveys transnational romanticism from the perspective of transatlantic print culture and publishing networks.
As a case study of this approach, the chapter focuses on the transatlantic transmission of the twin concepts of reason and understanding.
Secondly, it offers an introduction to the paradigm of influence studies that for a long time has dominated the study of transatlantic romanticism. It explores the idea of "world literature" as it was conceptualized by nineteenth-century writers in Germany, Britain, and the US. This chapter provides an overview of four different transnational dimensions of romanticism.
Though helping to usher in nineteenth-century nationalism, romanticism was a literary and philosophical movement that was transnational in scope. This is the draft of my contribution-"Transnational Dimensions of Romanticism"-to the forthcoming DeGruyter Handbook to American Romanticism, edited by Philipp Löffler, Clemens Spahr, and Jan Stievermann. Image number: CH5863735 Title: Self Obliteration, 1966-74 (six painted mannequins, six wigs, four painted chairs, & painted table with mixed media table.
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